The government of St. Vincent and the Grenadines will assess the economic impact of Vincy Mas, the nation’s annual festival in now in progress.
Minister of Tourism and Culture Cecil “Ces” McKie said it is very important to determine the economic impact of carnival and other festivals on the Vincentian economy.
“We have basically agreed that we will engage the expertise that is available across some of the ministries and possibly the UWI to do an assessment of the economic impact of Vincy Mas and other cultural festivals on the economy of St. Vincent and the Grenadines,” he told a recent press conference.
McKie told the Carnival Development Corporation press briefing that such a study was done some time ago.
“But I think when it was scrutinised, it was found to be a little wanting. So, that’s why we are ensuring that when we do the exercise again that it is well thought out and we engage the right persons to see how, as far as possible, the end product could be something that we can accept and utilise.”
McKie said such a study is important to the tourism sector.
“We know there’s a cultural component of carnival –development of the artistes, development of the various components, possibility of exporting our culture to the region and further afield. The same thing goes for tourism as well. What good does the Vincy Mas product do for St. Vincent and the Grenadines?”
The minister said his ministry has seen annual growth in the numbers over the two-month period of carnival, with air arrivals reaching 15,000.
“Difficult to pin it down if they are actually coming for Vincy Mas, but over that two-month period, those are the numbers that are reflected. We are very encouraged with what we have seen already.”
He said that last year, the arrivals by air increased 4.4 per cent, by yacht, 11 per cent, and by cruise, 25 per cent. So, overall just about 18 per cent increase in arrivals for 2018.”
McKie said that thus far, flights have been arriving “fairly full — over 90 per cent capacity and we are confident that … we will have even more persons on our shore for Vincy Mas 2019”.
He said that each year, the CDC board and the stakeholders review the festival and that the ministry and he, as minister, are also involved.
The CDC needs the feedback from the public also because they look at the development of the festival from a different perspective from the ministry and the stakeholders, McKie told the media.
“And it is always important that we get their feedback year after year — the patrons, the spectators, the followers of Vincy Mas — so that we can use that input in terms of further developing and defining Vincy Mas product.
“The discussion is ongoing and I hope that at the end of this year’s festival we can finalise the development plan that can take Vincy Mas into the next three to five years in terms of the developmental aspect because that is going to be very, very important.”
McKie said it is important to identify and implement things that will refresh the festival, as there is need for growth.
The CDC must continue to intensify discussions with the components, because the growth of the components will automatically translate into the growth of the festival, McKie told the media.
“And, therefore, the components are critical in terms of that growth and development.”
McKie said he can safely and confidently conclude that this year’s will be “a bumper” Vincy Mas.
The minister can ensure the calypso tents reach the youths in the other towns and villages, instead of just a few ULP constituencies. As far as know; no tents were opened on the Leeward side of the island. I attended one in Mespo, Georgetown and some friends attended one in Sandy Bay. That’s it. I also know there is politics involved because some tenets are boycotted by ULP supporters, especially if the songs from that tent are based on the political environment in SVG.
The youths throughout the island must be exposed to the culture. There is also the lack of musical instruments on the road to get the youths interested in playing them. The bum, bum type of music is not encouraging for youth to lean to play the piano, guitar and horns. He should try to get the radio stations to play the tunes from the tents and on the road.
I’ve stopped going to SVG for carnival because I saw where politics play a part in judging the winners from the tents. For two years I knew of winners before the competition and was pissed off when a Sandy Bay youth had the best song, but didn’t get the nod.
If the songs from the tents are promoted they will be o the road in the US, Canada and the UK during those countries carnival celebration. The exposures of those songs are advertisement for the island and its culture.
The real (but hidden) purpose of Carnival, like similar government supported festivals around the world, is neither economic nor cultural: it is to generate public approval, not by excellence in public service or public policy, but by deliberate and organized diversion and distraction.
Carnival satisfies the most immediate, base, and lustful requirements of our young and not so young populace for entertainment, licentious activity, and diversion from their dreary and lives and unfullfiled dreams, especially for prosperity (see
https://en.wikipedia.org/wiki/Bread_and_circuses). The aim is maintain the social and political status quo in society and prevent the people from using their minds and bodies to question, even overthow, this status quo.
A lot of people will disagree with this perspective, either because the have not been given the mental tools via our fake “education revolution” to comprehend it or because the political establishment, this one and those before it, have succeeded in otherwise numbing their intellect by diverted it to the satisfaction of carnal instincts.
Pastor Noel Clarke, himself a member of the political status quo, is partially correct about the negative aspects of Carnival but for all the wrong reasons.
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