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Jomo Sanga Thomas.(iWN file photo)
Jomo Sanga Thomas.(iWN file photo)
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By *Jomo Sanga Thomas

(Plain Talk, July 12, 2019)

The biggest winner in Vincy Mas 2019 is not Shaunelle Mc Kenzie, who won her first calypso monarch after years of effort; Hance John, who took home his 2nd Ragga Soca trophy in 3 years; Lynx mas band with Band of the Year and King of the Band titles; Little Chris and his sister Kristiana for their continued domination of Junior Calypso, or Starlift for recapturing panorama from Sion Hill. Not even the youth and energetic Magikal who sent Soca lovers ‘bloody hell crazy’ on his way to winning the Soca Monarch Title. 

The biggest winner was Rum. In 2019, rum was proclaimed cheaper than woman by Chewalle the Rummist. Skarpyon was so drunk he forgot which women he took to the party. Fonando cared not for soda or any form of chaser because he refused to go home sober. And so it was Rum, Rum, Rum.

Carnival is merriment and nakedness, fun and joy, creativity and festivity, but the re-emergence of rum is a negative that we neglect, to our pain and sorrow. Young people, especially our women, are consuming alcohol like never before. Gone are the days when malt was the drink of choice for our women. Guinness is no longer bitter and drinks with strong alcoholic content are now craved. Everybody gleefully demands rum.

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What a reversal of fortunes.  One of the many positives of Rastafarians was the serious assault they launched on alcohol. They also took aim at salt and sugar. Alcohol was aptly labelled the ‘devil’s soup’ for its destructive impact on the human body, as well as harm done to positive and friendly relations among citizens. Yet it’s rum, rum, rum ‘til carnival done and beyond. 

What must Patches do to win the crown?

Patches is one of the giants in the calypso business. He has been knocking on the door of the calypso palace for a long time. The judges refuse to let him in so that he can sit on the throne. People say I like Patches because he sings about the government I like to hate. Nonsense! I love Patches’ style of singing, his writing, his authenticity and his energy. Patches has to be about 70, and if you ask him, Patches will tell you that Jomo is a yard fowl, a jimbo and a man who loves Massa more than Massa loves himself. So what? That is Patches’ take of the Vincentian reality. Maurice Bishop, the former revolutionary PM of Grenada, once called Barbadian Prime Minister, Tom Adams a ‘yard fowl.’ Words have meaning. If you can’t recognise big men and women in SVG busily acting like yard fowls, as De man Age said you like the society we live in need a spectacles. 

Some say Patches is not deserving of winning because he only sings on the government. Do these people know anything about calypso? Calypso has its origins in rejection of the status quo. It speaks to the people’s pain and suffering. Patches captures the feeling of a section of the Vincentian population. There is none with his originality, melody and simplicity of delivery. He is the master of ridicule and biting satire. That is calypso. Calypso is not polite.

The latest slander is that Patches has joined Rasta Man I to sing in volumes. If we take similarity of topic as a yardstick, then the most voluminous of calypsoians is Mighty Chalk Dust. Yet he won the monarch in Trinidad and Tobago nine times, the last at the ripe age of 77 years. Based on this yard stick, De Man Age could not win the crown now, even if he sang “Spectacles”, “Who cares”, “Dey go ban it” and “Miss Penniston”.  Cro Cro would be stoned off the stage and CP will not make the semi finals even if he sang ‘Jesse Gambler’.

Last year Patches sang Halleluya which mocked what goes on in our nation’s churches. What did Shaunelle Mc Kenzie win with this year? ‘Change’- same theme -change- a call on church leaders to leave the safe haven of the church buildings and go to the people.  Originality! Melody! Catchy lyrics! Which will we remember? We don’t hate any calypsoians. We just love calypso more.

Calypso ain’t dying; the judges killing calypso. If a contestant could ‘buss’ and still win the crown, why throw out singers of the calibre of Sulle, Scakes, Age and Abijah, all with a well crafted calypso in the true tradition of the art form, simply because some competitors with mediocre lyric could sing better? Calypso judges need to reclaim the knowledge that a calypso competition is much more than a singing competition.  A calypso is not just a song. 

Mash up everything

In 1983 Mighty Arrow sang “Raise yo hand”. The “raise yo hand” anthem reigned for about two decades. Every artiste called on fans to raise yo hand, forcing Becket to cry out in disgust “me hand tired”. Chalky ‘Too Much Quacks” lambasted the imitators “since Arrow get through with raise yo hand, all man feel he is big, big Kaisoian”.

These days the new irresponsibility in the name of fun and fete is break down this and mash up that. Tear up this and pull down that. It is absolutely surprising that this called mixed with the high level of intoxication has not resulted in visible and serious acts of destruction. One artiste had the good sense to say “we go break it down and build it back”. We hope what is built will be better than what was torn down.

Child abuse in Calypso

Finally, child abuse in calypso must be called out and brought to an end. The content of many of the songs rendered in junior calypso competition is way beyond the comprehension of children. Take Little Kris, the primary school calypso monarch. In celebrating our country’s successes, Kris reminds us that we are chair of ECOSOC, the United Nations economic and social council that deals with sustainable development goals and of our elevation to the UN Security Council. Does Little Kris have a clear understanding of these institutions or is he simply singing what was given to him?

We cannot dumb down our culture to satisfy our lower taste. If culture is to be a weapon of liberation, it must be uplifting.

*Jomo Sanga Thomas is a lawyer, journalist, social commentator and Speaker of the House of Assembly in St. Vincent and the Grenadines.

The opinions presented in this content belong to the author and may not necessarily reflect the perspectives or editorial stance of iWitness News. Opinion pieces can be submitted to [email protected].

5 replies on “Some takes from this year’s Carnival”

    1. Rawlston Pompey says:


      Well written!

      That might be so.

      It has been said that ‘…when the rum is in, the wit is out.’

      Thus, none may deny the debilitating effect of ‘…rum consumption’ on social behavior.

      However, how can it be said by anyone, whether of superior or inferior intellect, that ‘…Rum’ as a national commodity was the winner of carnival?

      Guess the writer was just being facetious, if not jesting in allowing his ‘…Intellect to go on the Loose.’

      If one accepts Becket’s description of carnival as ‘…mask and music and spree,’ it could never be said that ‘Rum’ had participated in the national competitive cultural extravaganza.

      Rum never held. (I) …a microphone;

      (ii) …entered on stage;

      (iii) …did not sing Calypso and Soca;

      (iv) …masqueraded before an audience; and

      (v)…was never crowned calypso King or Queen; …Soca King or Queen.

      Could it be truly said that ‘…Patches’ did not win because of ‘Rum’ or that he was as much drunk as the Judges that had failed to declare him a winner?’

      One may shudder even to think of those that would harbor such thought in relating to the judging, winning and losing of competitors.

      Everyone knows that the environment often plays on the minds of those that adjudicated when certain songs were performed.

      Likened to many others, Patches might just be another victim.

      Though it was not so suggested, none may be so foolish as to be inclined in believing that ‘rum’ was the deciding factor for what may have transpired to militate against their success.

      It shall be re-stated that ‘…Rum was never the winner of Carnival.’

      At carnival though, ‘…Rum is all part of the fun.’ People drink the rum and some tumble down.

  1. Jomo you write that “Carnival is merriment and nakedness, fun and joy, creativity and festivity” but from where I stand dear fellow, it is nothing but a deterioration into desensitising and dehumanizing darkness!

    For Carnival here has declined into a squalid form of human depravity, far removed from what those erroneous catholic religionist had enacted, in their misguided seasonal religious formalism in Europe.

    And here is a thing for that American author Jacob M. Appel in “Scouting for the Reaper” the first collection of short stories by American author Jacob M. Appel that had won the Hudson Prize in 2012. According to this writer Jacob M Appel quote; “A century ago, people laughed at the notion that we were descended from monkeys. Today, the individuals most offended by that claim are the monkeys.”

    As one commentator commenting on our behaviour has put it, in St Vincent, we sure have “Gone to the dogs…”!

  2. Khalidjosiah Stewart says:

    Excellent piece, Jomo. Well done.

    In regards to Rum, the nation must be informed and educated of its destructive nature to the human body when used irresponsibly. So far, I have lost two friends whose appetites for the St. Vincent Strong Rum was insatiable. The kidneys of these two Vincentian (male) victims became dysfunctional after many decades of gluttonous consumption. Sad, but true.

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